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Brands · 7 pieces

Kartell.

Componibili Castelli Ferrieri, 4867 Joe Colombo, Bourgie Laviani, Ghost Starck — signature Kartell injection-moulded pieces, authenticated and documented.

Country
Italie
Founded
1949
Key designers
Joe Colombo

Kartell

Kartell is the Italian editor founded in 1949 in Noviglio by Giulio Castelli and Anna Castelli Ferrieri, who inscribed injection-moulded plastic in high-end design. The house emerged as a major actor of Italian design through a radical catalogue centred on plastic: Componibili by Anna Castelli Ferrieri (1967), 4867 Universale by Joe Colombo (1967), Boby by Joe Colombo (1970), Bourgie by Ferruccio Laviani (2004), Ghost and Louis Ghost by Philippe Starck (2002). The catalogue covers modular storage, seats, lighting, and accessories. LAPIERRE sources and authenticates primarily Kartell pieces from productions of 1967 to 2010, with particular focus on signature 1960s-1970s pieces.

Brand history

Kartell was founded in 1949 in Noviglio, near Milan, by Giulio Castelli, a chemical engineer, and his wife Anna Castelli Ferrieri, an architect. The house positioned itself from the start on injection-moulded plastic products, at a time when these materials were still associated with mass consumption rather than high-end design. Castelli, trained in industrial chemistry, saw the potential of thermoplastics for domestic furniture. The house began with accessories (tableware, household utensils, kitchen elements) before progressively expanding to furniture and lighting.

Anna Castelli Ferrieri signed several major catalogue pieces. The Componibili series, launched in 1967, became the founding icon. A modular cylindrical storage tower in injection-moulded ABS monobloc, it offers a stacking system of independent modules to compose storage of variable height. The piece has been continuously produced since and is today a reference of Italian industrial design. The same year, Joe Colombo designed for Kartell the 4867 Universale chair: the first plastic-injection monobloc chair commercialised at scale, a major industrial and formal milestone. Colombo also signed the Boby series (1970), ABS-injected storage trolley with wheels.

Under the leadership of Claudio Luti, who joined Kartell in 1988 and became its head, the house opened to international collaborations. Philippe Starck signed the Ghost chair (2002) in moulded transparent polycarbonate monobloc, the first at scale in this material, followed by the Louis Ghost, the Masters (2010, with Quitllet), and several other pieces. Ferruccio Laviani designed the Bourgie lamp (2004), evocation of a classic chandelier in moulded transparent plastic. Patricia Urquiola, Tokujin Yoshioka, Ron Arad, Piero Lissoni, and Antonio Citterio joined the catalogue. The house remains independent under Luti control, based in Noviglio, with production concentrated in Italy.

Signature pieces we source

Componibili (Anna Castelli Ferrieri, 1967). Modular cylindrical storage tower in injection-moulded ABS monobloc. Each module stacks and screws or interlocks depending on production. Configurations of 2, 3, 4 modules or more. Sought-after 1967-1980 original colours (orange, red, moss green, purple, yellow); standard white and black most sourced.

4867 Universale (Joe Colombo, 1967). First plastic-injection monobloc chair commercialised at scale. Originally designed in ABS plastic, later in polypropylene. Major signature piece of Italian industrial design.

Boby (Joe Colombo, 1970). ABS-injected storage trolley with wheels, originally designed for designers' and photographers' studios. Several drawer and compartment levels. Colombo signature piece.

Bourgie (Ferruccio Laviani, 2004). Table lamp evoking a classic chandelier in moulded transparent or translucent plastic. Kartell contemporary signature piece, exported worldwide.

Ghost and Louis Ghost (Philippe Starck, 2002). Chairs in moulded transparent or translucent polycarbonate monobloc. The Louis Ghost reproduces the Louis XV armchair profile in plastic. Contemporary signature pieces.

Masters (Philippe Starck and Eugeni Quitllet, 2010). Polycarbonate chair fusing three iconic silhouettes (Series 7 Jacobsen, Tulip Saarinen, Eiffel Eames). 2014 Compasso d'Oro.

Authenticating an original

Authentication of a Kartell piece rests on combined markings. Kartell marking: moulded in relief inside the module or under the base, on the shell or structure depending on model. The Kartell logo evolves by decade and allows approximate dating. Model reference: moulded near the brand mark. Designer signature: moulded in relief on certain signature pieces (Componibili, Ghost, Bourgie, Masters). Plastic consistency: injection-moulded ABS monobloc for Componibili and 4867, transparent or translucent polycarbonate for Ghost and Louis Ghost, moulded polycarbonate for Masters. Uniform smooth surface, characteristic thickness, stable colour tone. Copies (notably Ghost and Louis Ghost) frequently present thinner polycarbonate, more yellowish than the original transparent, or slightly different proportions. Copy moulding is often less precise (mould burrs, visible joints). LAPIERRE cross-references marking and plastic quality before validation.

LAPIERRE process for this brand

Each incoming Kartell piece is inspected for markings, injection-moulded plastic condition (scratches, chips, possible yellowing on transparent colours), structural integrity, and dimensional consistency with the Kartell standard. Componibili pieces are checked module by module: internal marking, moulding quality, stacking function. Ghost and Louis Ghost are checked for polycarbonate integrity (absence of cracks at stress points, original transparency). Bourgie pieces are checked for transparent plastic crack absence. Pieces without clear marking or with non-standard dimensions are refused unless cross-referenced with strong other clues. For sold pieces, LAPIERRE can offer thorough cleaning via partner workshop if necessary; deep scratches on transparent polycarbonate are generally not repairable.

Request a search

A specific Kartell piece (Componibili, 4867, Boby, Bourgie, Ghost) in a particular colour, configuration, or condition not currently in selection? Write to LAPIERRE with the brief: model, colour, desired configuration. Our team activates its Italian and European sourcing network. Response within a few days with availability and quote.

FAQ

Frequently asked questions

What is the origin of Kartell?
Kartell was founded in 1949 in Noviglio, near Milan, by Giulio Castelli, a chemical engineer, and his wife Anna Castelli Ferrieri, an architect. The house positioned itself from the start on injection-moulded plastic furniture and accessories, at a time when these materials were not yet associated with high-end design. Anna Castelli Ferrieri signed several major catalogue pieces herself, including the Componibili series (1967), modular monobloc injection-moulded plastic storage tower that became iconic. Under Claudio Luti from the 1980s, the house opened to international collaborations (Philippe Starck, Ron Arad, Patricia Urquiola, Tokujin Yoshioka) and industrialised emblematic pieces in transparent and translucent plastic.
Which Kartell pieces are most iconic?
The Componibili (Anna Castelli Ferrieri, 1967), modular cylindrical storage tower in injection-moulded plastic monobloc. The 4867 Universale (Joe Colombo, 1967), first injection-moulded plastic monobloc chair commercialised at scale. The Bourgie (Ferruccio Laviani, 2004), table lamp evoking a chandelier in transparent plastic. The Ghost (Philippe Starck, 2002), chair in moulded transparent polycarbonate monobloc. The Louis Ghost (Starck, 2002), version with armrests. The Masters (Starck and Quitllet, 2010), polycarbonate chair fusing three iconic silhouettes. Boby (Joe Colombo, 1970), Locker (Castelli Ferrieri), Anna G (Mendini).
How do you authenticate a Componibili?
An authentic Componibili is recognised by several clues. Kartell marking moulded in relief inside the module or under the base. Kartell logo evolving by decade. Model reference moulded near the brand mark. Consistency of injection-moulded ABS plastic monobloc: single-piece moulding per module, uniform smooth surface, characteristic thickness, stable colour tone (white, black, red, orange, green, yellow, purple per catalogue). Precise and functional inter-module fitting system: modules stack and screw or interlock depending on era. Copies frequently present lower-quality plastic, absent or counterfeit markings, imprecise fittings, or slightly different proportions. Vintage value depends on colour (1967-1980 original colours are prized).
How much does a vintage Componibili cost?
The price of a vintage Componibili depends on the number of stacked modules (configurations of 2, 3, or 4 modules), the colour (1967-1980 original colours — orange, red, moss green, purple, yellow — command a premium; standard white and black remain the most sourced), plastic condition (scratches, chips, possible yellowing depending on colour), and authenticity of markings. A vintage Componibili configuration in good condition is typically priced 30 to 50 percent below the equivalent new price. Early 1967-1975 productions are most sought after. Large configurations (5 modules or more) are rarer and command a premium.
Joe Colombo at Kartell: which pieces?
Joe Colombo, a Milan designer who passed prematurely in 1971, signed several iconic Italian-design pieces of the 1960s-1970s for Kartell. The 4867 Universale (1967), first injection-moulded plastic monobloc chair commercialised at scale, a major industrial milestone. The Boby system (1970), ABS-injected storage trolley with wheels, originally designed for designers' and photographers' studios. The Multibox programme and several other modular systems. Joe Colombo pieces from Kartell vintage productions of 1967-1975 are valued today by collectors and reach significant values depending on condition.
Starck Ghost: differences between versions?
The Ghost chair was designed by Philippe Starck in 2002 for Kartell. The first injection-moulded transparent polycarbonate monobloc chair at scale, it inspired an entire generation of transparent furniture. The Ghost (without armrests), Louis Ghost (with armrests, dossier cut evoking Louis XV furniture), Lou Lou Ghost (children's version), Charles Ghost (stool) decline the principle. All in transparent or translucent polycarbonate per colour. Reissues and variants span over twenty years. Unlicensed Ghost copies are numerous and often present thinner, more yellowish polycarbonate, or slightly different proportions. Kartell marking moulded in relief inside the back or under the seat allows authentication.
Which designers does Kartell edit today?
The contemporary Kartell catalogue articulates several streams: the historic collection (Componibili, 4867, Boby continue in production), Starck pieces (Ghost, Louis Ghost, Masters, Mademoiselle), contemporary collaborations (Patricia Urquiola, Tokujin Yoshioka, Ron Arad, Philippe Bestenheider, Antonio Citterio, Piero Lissoni, Ferruccio Laviani), and the Kartell by Laufen lighting collection. The house remains independent under Luti leadership, based in Noviglio, with production concentrated in Italy. For current collection details, see the official Kartell site.

Designers edited by this brand