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LAPIERRE MARKET
·4 min

Valuing a second-hand USM Haller: the criteria

Condition, colour, generation, configuration, completeness: the criteria that set the value of a second-hand USM Haller, and the photos that allow it to be valued remotely.

Beige USM Haller, drop fronts open
Beige USM Haller, drop fronts open

Valuing a second-hand USM Haller: the criteria

We are often asked what a USM Haller is worth. The honest answer is that there is no single price. Two units with the same configuration can be worth very different amounts, and the same unit will not fetch the same sum sold privately, sold to a dealer or placed on consignment. The criteria behind the value, on the other hand, do not change. Here they are, in the order we look at them.

Authenticity comes first

Before talking about value, you need to know what is being valued. The system is widely copied, and the most common case is not an outright copy but a hybrid: a USM unit completed with parts from another maker. The connecting ball, the tubes, the panels and the lacquer should all be consistent with one another.

A hybrid is not worthless. Its original components keep their own value, but they are assessed separately, and the whole is worth less than a consistent unit.

Condition

We look at three things, in this order.

The structure. Balls and tubes must be sound: no play in the joints, no damaged threads, no bent tubes. Chrome that has dulled slightly with age is normal. Deeply pitted chrome, often the sign of time spent in a cellar or garage, means replacements.

The panels. Scratches, dents, chipped edges, bare metal. A scratch in the lacquer is cosmetic; a chip down to the metal calls for relacquering; a dented sheet may call for replacement. An old amateur repaint counts against a piece more than honest wear does.

The mechanics. Drop-fronts that close straight, drawers that slide, locks that work, with their keys. An adjustment is quick; a missing mechanism part is harder to replace.

Condition is not judged by general appearance. A dusty unit can be in very good order underneath, and a clean one can hide a tired joint.

Colour

Not every colour sells at the same pace. The most common shades find buyers easily. Others, rarer on the second-hand market, appeal to a smaller but more determined audience. Demand shifts over time, and we are careful not to turn it into general rules.

What matters at least as much as the colour is its consistency. A unit whose panels all share the same shade and the same ageing is worth more than one where a single panel stands out, whether it was replaced or repainted. The colour must also belong to the range: a shade that does not appear in it points to a repaint.

Generation

The system has been sold since 1965 and has kept its dimensions, so an old unit and a recent one look very much alike. The generation shows in the details: the shade and ageing of the lacquer, certain hardware, the wear.

Age alone does not create value. A well-kept older unit has its buyers, and a recent one in perfect condition has its own. What counts is consistency: a unit whose components all date from the same period presents better than one put together from parts of different ages.

Configuration

The configuration decides who the unit can serve. A low sideboard of two or three bays fits most homes. A very large office storage unit interests fewer people as it stands, even though it can be reconfigured, and a buyer will factor in the cost of doing so.

The components count too: drop-fronts, drawers, doors, glass tops, castors, hanging-file drawers. A fully open unit and one with drop-fronts of the same size do not serve the same purpose.

Completeness

A USM sells better complete: internal shelves, glides, keys for every lock, tops, mechanism parts. Every missing part will have to be found, second-hand or new, and buyers know it. An original invoice is not essential; a documented provenance is reassuring, though.

What does not set the value

The price paid at purchase does not determine the second-hand value, and neither does today's new price, which serves as a reference at most. The time spent finding the piece, or the attachment you feel for it, do not enter the valuation either.

For a dealer, practical factors come into play: where the unit is, how it can be reached (floor, lift, stairs) and the work of dismantling, transporting and reconditioning it. They account for part of the gap between a resale price and a buy-back offer.

Photos that allow a remote valuation

A serious valuation is usually made from photographs, provided they show what is needed:

  • two overall views, from two angles;
  • a sharp close-up of a connecting ball;
  • a close-up of a panel edge;
  • the back of the unit;
  • every visible defect, photographed in daylight;
  • the dimensions, the town and the floor.

We buy USM Haller furniture outright and also take it on consignment; valuations are made from photos within 24 to 48 hours through our sell to us page. If you first want a written opinion on authenticity and condition, with no plan to sell, see the USM Haller appraisal. For anything else, the contact form is open.

By

LAPIERRE MARKET

Author

Nicolas Bret

Founder of LAPIERRE MARKET — sourcer, photographer and the one person you deal with behind the site.

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